Belvedere Lecture 2024 – Monday 23 September 2024, 5-6 pm – Boekentoren (Rozier 9, 9000 Gent): Belvedere

Group for Early Modern Studies, Sarton Centre for History of Science and UGent Doctoral School are organising a seminar by Prof. Dr. Paola Ugolini (University at Buffalo, USA).

The seminar will take place on the 3rd of September at 11am in room Camelot, Campus Boekentoren.

Prof. Dr. Paola Ugolini will present her paper ‘“A Woman Dressed in Gold (…) Holding Out Her Heart.” Sincerity in Early Modern Italy.’, followed by a 10-minutes response given by Prof. Dr. Katinis (director of GEMS). The last 40 minutes will be reserved for open debate with the participants.

Early modern culture is known for devoting a unique amount of attention to accessing and revealing one’s interiority. Poets dreamed of a “crystal heart” that would show the authenticity of their feelings. Authors of physiognomic manuals explained how physical features could help understand a person’s moral character. In medical texts, dissected bodies were portrayed as lifting their skin, disclosing the secrets of human anatomy. Studies such as Lionel Trilling’s Sincerity and Authenticity and John J. Martin’s “Inventing Sincerity, Refashioning Prudence” have formulated the assumption that the notion of sincerity as a moral value is a creation of the Renaissance, while in earlier societies the term “sincere” was used exclusively to refer to a substance or an object that was pure or unadulterated. Prof. Dr. Paola Ugolini intends to put this assumption to the test, while also trying to identify the reasons that could have prompted such a change. Furthermore, she plans to investigate the contrast between the urge for sincerity and the need for simulation and dissimulation that characterized early modern society. In her research, she also explores the claims of sincerity expressed by the authors of early modern scientific texts, and how this intersects with the idea of accessing the secrets of Nature

Prof. Ugolini holds a doctorate from New York University. Since 2020 she has been an associate professor at the University at Buffalo, where she teaches Italian and Global Gender and Sexuality Studies. She has also been a visiting professor at the University of Bologna in 2021, and has been invited to give lectures at universities across North America and Europe. She has published on a wide array of Renaissance Italian writers, including Pietro Aretino (on which she also co-edited a volume; (2021)), Ludovico Ariosto (2017; 2022; 2024), Veronica Franco (2024), Veronica Gambara (whose poems she edited and translated; (2014)), and Gaspara Stampa (2024). She is currently co-editing a volume titled Women Warriors in the Early Modern World (under contract with Amsterdam University Press) and working on a book project on the history of sincerity in early modern Italy.

Landscape History & Ecology – Ghent, 27-31 May 2024

This Spring School is organised by Ghent University (Doctoral Schools), University of Groningen, the Huizinga Institute and the Dutch Research School for Medieval Studies to stimulate contacts and exchange between PhD candidates and ReMa students in the field of cultural history, art history, historical geography, urban history, archaeology, early modern history, medieval history, literary studies, environmental psychology, environmental design and engineering, sustainability studies and environmental education. The course will mainly focus on the Middle Ages and the Early Modern Period, but students working on Antiquity or the Modern Period can attend as well.

Topic

Climate change, depletion of natural resources, loss of natural and cultural landscapes, and many other (ecological) sustainability challenges urge us to (re)evaluate human interaction with the natural world. This renewed environmental consciousness has invigorated not only scientists working on effects in the present and solutions for the future, but also those who study the (distant) past. It has become clear that we need to take the story back(much) further than the industrialisation of the second half of the eighteenth century. Specifically in medieval and early modern studies, scholars have uncovered the deep historical backgrounds of the anthropogenic ecological challenges, including (over)exploitation of natural landscapes, diminishment of open space, deforestation, food production, use of energy and water, fauna and flora extinctions et cetera. Over the past decades, ever more research has been conducted into the ecological impact and implications of practices in different landscapes. Also the traces of environmental mentalities in art and the cultural representation of human interactions with the environment is a flourishing field, strongly influenced by ecocritical approaches. The Spring School will therefore pay attention to a wide range of ecological issues in history related to the landscape of city, country and colony and their mediation in cultural production, most notablyliterature and art. It combines a focus on the medieval and early modern period with an multidisciplinary perspective, attending to the theoretical and methodological background of landscape and cultural history, ecocriticism and archaeology.

Approaches

This course takes four topics and methodologies related to historical landscape and ecology as a starting point:

(A) History of the city and the country,

(B) Archaeology and landscape history,

(C) Artistic representation and ecocriticism,

(D) Ecology and economy.

Ten specialists will reflect from their scholarly background (landscape history, archaeology, literary studies, cultural history) on ecological issues in their own research. An accompanying reading list gives rise to further reflection and discussion with the participants. This will offer students a framework to think theoretical concepts and methodologies through in relation to their own work. Through short pitches the attending PhD students will reflect on the possibilities and difficulties of working with the same concepts and methodologies in their own research projects. A guided bike tour on the ecology of the city Ghent and its surroundings will be part of the programme, as well as an excursion to the Zwin-region and Zeeland Flanders, with presentations and discussions ‘in the field’.

Programme

Session I: Visit Exhibition ‘Ghent’s Lands’ & Bike Tour – Guide: Esther Beeckaert (Ghent Museum for Urban History STAM)

Session II & III: History of the City and the Country- Lecturers: Tim Soens & Iason Jongepier (UAntwerpen)

Session IV: Archaeology and Landscape History – Lecturer: Wim De Clercq (UGent)

Session V: Landscape History and Garden Culture – Lecturer: Willemieke Ottens (Rijksuniversiteit Groningen)

Session VI: Workshop ‘Nature Writing’ – Lecturer: Femke Kramer (Rijksuniversiteit Groningen)

Session VII: Artistic Representation & Ecocriticism – Lecturer: Joana van de Löcht (Universität Freiburg)

Session VIII & IX: Ecology and Economy – Lecturers: Marrigje Paijmans (University of Amsterdam), Charlotte Kießling (University of Cologne) & Thijs Lambrecht (Ghent University)

Registration

PhD students and ReMa students are invited to register for this course before 12 January 2024 through the following link: https://forms.gle/hQUuu4SVfs4wTRsq9 Please note that there is a limited number of places available for this course. After your registration you will soon receive more information about whether your registration can be confirmed or not. Some of the participating graduate/doctoral schools will cover tuition and lodging for their participating members (please wait for more information after your registration).

Organising institutions and partners

This Spring School is organised by Ghent University (Doctoral Schools), the University of Groningen, the Huizinga Institute and the Research School for Medieval Studies in cooperation with the following research groups: the Group for Early Modern Studies (UGent), the Henri Pirenne Institute for Medieval Studies (UGent), the Amsterdam Centre for Studies in Early Modernity (UvA), the Groningen Research Institute for the Study of Culture (Rijksuniversiteit Groningen), the Centre for Urban History(UAntwerpen), the Institute for Early Modern History (UGent-VUB) and the Onderzoeksgroep Nieuwe Tijd (KU Leuven). The Spring School was also made possible by the Rudolf Agricola School for Sustainable Development (University Groningen).

Organising committee

Caroline Baetens, MA (UGent, Group for Early Modern Studies), Dr. Femke Kramer (Rijksuniversiteit Groningen, Research Institute for the Study ofCulture), Dr. Stefan Meysman (UGent, Pirenne Institute for Medieval Studies), Dr. Marrigje Paijmans (UvA, Amsterdam Centre for Studies in Early Modernity), Prof. Jeroen Puttevils (UAntwerpen,Centre for Urban History), Prof. Hanneke Ronnes (UvA / Rijksuniversiteit Groningen, Landscape History), Prof. Kornee van der Haven (UGent, Group for Early Modern Studies)

      

Join GEMS on the 22nd of April for the Young Researcher’s Day, a work-in-progress session by MA students where they will be presenting their research through a short poster presentation, with ample time for questions. The presentations aim to help students fine-tune their research and are a great opportunity to get feedback from their peers and other researchers in the field of early modern cultural history and literature.

Location: Library Lab, Magnel Wing – 11am-3pm

Presentations:

• Widow Immolation (Sati) as a Religious Practice: Crystallisation of a European Image of India in the 18th Century
• The Late Medieval and Early Modern in Macbeth: The Transgressive Power of Blood, the Body and the Supernatural
• European Science Theories in 18th Century Latin America: The Almanacs of Cosme Bueno
• Early Modern Death: The Function and Form of Death in Everyman, The Faerie Queene, “Death Be Not Proud”, Paradise Lost and The Pilgrim’s Progress
• Trauma and Cognition in 20th Century Fiction
• Asexuality in Media

We encourage researchers who are interested to attend and register through this form by the 17th of April. Lunch and refreshments will be provided. If you have any further questions, feel free to contact eru.fevery@ugent.be and caroline.baetens@ugent.be

We hope to see you there!

 

Dr. Carme Font-Paz, Associate Professor of English Literature at Universitat Autònoma de Barcelona and director of WINK (Women’s Invisible Ink), is giving a lecture where she’ll be presenting the WINK project and her paper on ‘Intellectual Freedom in Early Modern Women’s Spiritual Writings: Practice, Methods, and Identities’.

The essence and manifestation of God’s love has been a major concern for men and women of faith over the centuries, and the object of mystical, fictional and analytical approaches to understanding the relationship between human and divine nature. This presentation will briefly examine the methodological challenges posed by narratives of faith and grace that seek to represent subjective reality as an experience of universal truth.

By paying special attention to four seventeenth-century women writers from different Christian backgrounds, we shall see in what ways their notion of intellectual freedom was constructed and invoked as the primary reason for writing and speaking in public against pastoral misconduct, social ills and domestic abuse within their congregations and communities of faith. Their arguments point at their own freedom of conscience, as well as the “hypocrisie” and superficiality of the alleged “liberty of conscience and freedom” of their own communities. They claim to be intellectually freer in their obedience to God.

This paper will bring to light Maria Jesus de Ágreda manuscript Leyes de la esposa (1637) for the first time, Arcangela Tarabotti’s La semplicità ingannata (1654), Susanna Parr’s Apologie against the Elders (1659), and Anne Wentworth’s A Vindication (1670). We will look at the discourse of divine love and personal conscience as a common feature of female spirituality and intellectuality within a European context, markedly influenced by Teresa de Ávila’s program for mental prayer. We shall discuss the relationship between literary genre and theological tradition, the limits of reason and the imagination as sources of knowledge, and the faint borderlines between obedience and freedom of conscience as paths for intellectual inquiry.

Dr. Carme Font-Paz is Associate Professor of English Literature at Universitat Autònoma de Barcelona. She is also an ICREA Academia fellow and director of the European ERC Starting Grant project WINK “Women’s Invisible Ink: Trans-Genre Writing and the Gendering of Intellectual Value in Early Modernity”. A specialist in prophetic genres and early modern women’s writing, her latest books are Women’s Prophetic Writings in Seventeenth-Century Britain (Routledge, 2017) and, with Nina Geerdink, Economic Imperatives for Women’s Writing in Early Modern Europe (Brill, 2018). She is now preparing her forthcoming monograph Women Writing on Social Change in Early Modern Europe (Brepols).

Contact: elizabeth.amann@ugent.be

From the 12th of April until the 29th of June 2024 you can visit an exhibition co-curated by GEMS-members Kornee van der Haven and Caroline Baetens in collaboration with Piet de Blaeij from Museum Het Warenhuis. The exhibition centres around the early modern Dutch poem Dapes inemptae, of de Moufe-Schans (1621) in which Petrus Hondius celebrates his life in the garden the ‘Moffenschans’. You can explore the seventeenth-century garden life in this exhibition through Hondius’ verses. You walk through the garden and the poetry to get a unique picture of garden life in the seventeenth century. The garden comes to life as a place of pleasant gatherings, of plant science, of experimenting with nature and landscape, but also as a place where you can indulge in gardening.

For more information you can read the description in Dutch below:

Vers uit de tuin. Petrus Hondius’ dichterlijke wegwijzer door het zeventiende-eeuwse landschap.

Tentoonstelling UGent & Museum Het Warenhuis (Axel), 12 april – 29 juni 2024

Bij verse oogst uit de tuin denk je waarschijnlijk in de eerste plaats aan wortels of komkommer. In de zeventiende eeuw oogstten tuinbezitters niet alleen groenten, maar ook dichterlijke verzen uit de Zeeuws-Vlaamse grond! Die gedichten geven een inkijkje in hoe het rijke tuinleven in de zeventiende eeuw werd ervaren. Een van de eersten die over dat leven in de tuin dichtte, was predikant Petrus Hondius. In 1621 bezingt hij in zijn dichtwerk, Dapes Inemptae, of De Moufe-schans, alles wat er te beleven valt in zijn tuin bij Terneuzen (de Moffenschans): van maaltijden met groenten van eigen bodem, tot de kweek van zeldzame bloemen en uitstapjes door de omliggende velden.

Van 12 april tot 29 juni 2024 kun je in Museum Het Warenhuis te Axel via Hondius’ wandelpaden zelf het zeventiende-eeuwse tuinleven verkennen in de expositie. Je bewandelt de gangen van de tuin via het dichtwerk en krijgt zo een uniek beeld van het tuinleven in de zeventiende eeuw. De tuin komt tot leven als een plek van gezellige samenkomsten, van plantwetenschap, van experiment met natuur en landschap, maar ook als een plaats waar je je kunt uitleven in het tuinieren. Wie weet herken je je eigen ervaringen wel in Hondius’ verzen of leiden zijn wandelpaden je tot nieuwe inzichten over de hedendaagse tuin!

Veel idealen uit Hondius’ poëzie zijn herkenbaar voor een hedendaagse lezer. Net zoals stedelingen vandaag aan de drukte trachten te ontsnappen in een tuin of park, zochten diegenen die daar de mogelijkheid toe hadden ook in de zeventiende eeuw de rust van het platteland op. De Terneuzense predikant geeft dan ook uitdrukking aan die herkenbare drang naar ontsnapping in een groen decor. Ook hedendaagse idealen van zelfvoorzienendheid of lokaal shoppen lijken al vroeg in die literatuur vorm te krijgen, want ook Hondius streeft naar ‘Ongekochte spijs’ of groenten van eigen bodem. Zijn verhaal schetst niet alleen een uniek beeld van het rijke tuinleven in de zeventiende eeuw, maar biedt dus ook een leidraad voor reflectie op onze bedrijvigheid in de tuin vandaag.

Als je het museum uit stapt, kun je de wandeling verderzetten en met een nieuwe blik het landschap rondom verkennen. Op een boogscheut van het museum vind je een laatnegentiende-eeuws landhuis dat nog steeds de naam ‘Moffenschans’ draagt, naar Hondius’ tuin die zich daar eeuwen eerder bevond. Te voet, te paard of te vloot bereist Hondius vandaaruit de polders, schorren, duinen en rivieren rondom zijn tuin. Hij treedt buiten de omheining en legt een breder beeld van het Zeeuws-Vlaamse landschap vast in woord. In de expositie leer je dus iets nieuws over de zeventiende-eeuwse beleving van de directe omgeving van de tuin en het hedendaagse museum.

Ontdek wat het Zeeuws-Vlaamse tuinleven in de zeventiende eeuw zo uniek en toch zo universeel maakt, van 12 april tot 29 juni 2024 in Museum Het Warenhuis (Markt 2, 4571 BG Axel).

Dit project is een samenwerking tussen Museum Het Warenhuis en de Vakgroep letterkunde aan de Universiteit Gent. De expositie kwam tot stand met de steun van de Faculteit Letteren en Wijsbegeerte van de Universiteit Gent, het Maatschappelijk Valorisatiefonds van de Universiteit Gent, het Fonds Wetenschappelijk Onderzoek – Vlaanderen en het Scheldemondfonds.

Join GEMS on the 22th of February for a Book Presentation by dr. Sarah J. Adams. She will present her new book Repertoires of Slavery: Dutch Theater Between Abolitionism and Colonial Subjection, 1770-1810 (University Press Amsterdam, 2023). Through the lens of a hitherto unstudied repertoire of Dutch abolitionist theatre productions, Repertoires of Slavery prises open the conflicting ideological functions of antislavery discourse within and outside the walls of the theatre and examines the ways in which abolitionist protesters wielded the strife-ridden question of slavery to negotiate the meanings of human rights, subjecthood, and subjection.

For more information and to order the book, you can follow this link

Please let us know if you can attend by the 16th of February via this link